Why AI street photography fails

Capitalism’s dream sequence: Sara Cwynar at The Approach

Beyond the frontline: Aria Shahrokhshahi’s journey through Ukraine

What is there still to learn from Martin Parr?

Can doubt be a way of looking?

Stories found in passing: Kalpesh Lathigra’s first solo show in India

Staying with the trouble: interview with Andy Sewell

Japan’s women of the sea: Uraguchi at Huis Marseille

Stacy Mehrfar on The Moon Belongs to Everyone

Framed and defanged: Steve McQueen’s Resistance

An art of distance: Hervé Guibert’s The Only Face

Ryudai Takano’s collisions of a sensing body

They were already here

Metabolising violence: interview with J.A. Young

In the web of others: Mohamed Bourouissa

When the mask slips: Cindy Sherman

Ying Ang’s ecological and feminist politics

Arles 2025: staging radicality within safe limits?

Speaking to the future: Elle Pérez in New York

Between history and fable: Mashid Mohadjerin at FOMU, Antwerp

Sirkka-Liisa Konttinen’s Geordie beaches

Expressions for unity: The 2025 V&A Parasol Foundation Prize for Women in Photography

Decay in America

Reclaiming women’s place in Japanese photography

Guido Guidi: more moments, more points of view

Mahtab Hussain’s ode to muslim communities

Tate Britain’s 80s: Too much, not enough

Exile as a shared human experience

On the evocative power of blur

Sohrab Hura’s shapeshifting practice

How can hair be a political symbol?

Paris Photo 2024’s standout displays

The 9th Singapore International Photography Festival

The unseen effects of illness

Columbia University’s wrestling ring

Posthumous collaboration

Radical approaches towards the archive

A photographer’s quest for connection

Les Rencontres d’Arles 2024

Vanishing identities, resilient stories

Carmen Winant’s fight for reproductive justice

Lydia Goldblatt’s journey into motherhood

The positive/negative space of photography

Paul Mpagi Sepuya’s mirror to queer and black identity

Visions of working-class British life

Through the heart of the American South

Where craft meets punk: Café Royal Books

Challenging historical narratives of control and subjugation

What if the city were a body?

Seeing through time with Annie Ernaux

In the silence of crisis

Humans and bees: a symbiotic relationship

Burrowing into the surface of Los Angeles

Photographs as skin via Anselm Kiefer

Glitched videocalls from Gaza

Photo50 2024

Karla Hiraldo Voleau’s re-narration of a relationship

An archive of black visuality

Paris Photo 2023

Does Moriyama speak to us today?

Sheida Soleimani’s stories from the edge of home

In the company of Porpora Marcasciano

Restoring personhood to the immigrant body

The forest: freedom or exile?

Carrie Mae Weems at the Barbican

Self-governance and the Nasa People of Cauca

Fotografia Europea 2023 highlights

Sustaining squatter communities

Portraying the psychological effects of the ongoing planetary crisis

Photo London 2023

Oliver Frank Chanarin’s quirky index of Britishness

The messiness of mothering and care

The broader socio-ecological context of climate change

Laia Abril counters the silence around rape

Inventing Vivian Maier

Paris Photo 2022

The defiant women of Shaheen Bagh

Luigi Ghirri

Puglia. Tra Albe e Tramonti

Book review by Luce Lebart

Max Ferguson

Whistling for Owls

Book review by Anneka French

Les Rencontres d’Arles 2022

Top three festival highlights

Selected by Tim Clark

Seiichi Furuya

First Trip to Bologna 1978 / Last Trip to Venice 1985

Book review by Alessandro Merola

Gloria Oyarzabal

Usus Fructus Abusus

Exhibition review by Sergio Valenzuela Escobedo

Photo London 2022

Top five fair highlights

Selected by Alessandro Merola

David Claerbout and Gábor Ösz

ANTICAMERA

Exhibition review by Duncan Wooldridge

Noémie Goudal

Post Atlantica

Exhibition review by Fergus Heron

Sayuri Ichida

Absentee

Book review by Callum Beaney

Lebohang Kganye

Dipina tsa Kganya

Interview with Sarah Allen

Stephen Gill

Coming up for Air

Exhibition review by Jesse Alexander

Cao Fei

Blueprints

Essay by Sergio Valenzuela Escobedo

Brea Souders

Vistas

Essay by Alessandro Merola

Stephan Keppel

Hard Copies

Essay by Taco Hidde Bakker

Hoda Afshar

Speak The Wind

Book review by Taous R. Dahmani

John Myers

The Guide

Book review by David Moore

Ming Smith

Ming Smith: An Aperture Monograph

Book review by Taous R. Dahmani

Obituary for the artist duo Broomberg & Chanarin

By David Campany

Heba Y. Amin

When I see the future, I close my eyes

Exhibition review by Alessandro Merola

Mark McKnight

Heaven is a Prison

Book review by Eugénie Shinkle

Clare Strand

The Discrete Channel with Noise

Essay by Duncan Wooldridge

Liz Orton

Every Body Is An Archive

Book review by Diane Smyth

Kalen Na’il Roach

My Dad Without Everybody Else

Essay by Taous R. Dahmani

Michael Ashkin

Were it not for

Book review by Eugénie Shinkle

Nan Goldin

Sirens

Exhibition review by Max Houghton

Sondra Meszaros

Redrawing Power and Pleasure

Essay by Sara Knelman

Yann Mingard

Everything is up in the air, thus our vertigo

Essay by Lars Willumeit

Liz Johnson Artur

If you know the beginning, the end is no trouble

Exhibition review by Taous R. Dahmani

Andy Sewell

Known and Strange Things Pass

Essay by Eugénie Shinkle

Karla Hiraldo Voleau

Hola Mi Amol

Book review by Alice Zoo

The Image of Whiteness:

Contemporary Photography and Racialization

Book review by Paul Halliday

Edouard Taufenbach

Spéculaire

Essay by Duncan Wooldridge

Buck Ellison

Perfect White Family

Essay by Daniel C. Blight

Stanley Wolukau-Wanambwa

One Wall a Web

Book review by Taous R. Dahmani

John MacLean

Outthinking the Rectangle

Essay by Duncan Wooldridge

Janire Nájera

Atomic Ed

Book review by Alice Zoo

Joanna Piotrowska

All Our False Devices

Exhibition review by Eugénie Shinkle

Alys Tomlinson

Ex-Voto

Essay by Caroline Molloy

Michelle Dizon & Việt Lê

White Gaze

Essay by Daniel C. Blight

Louis Quail

Big Brother

Book review by Alice Zoo

Poulomi Basu

Centralia

Essay by Emilia Terracciano

John Gossage

Looking Up Ben James – A Fable

Book review by Gerry Badger

Chloé Jafé

I give you my life

Essay by Emma Lewis

Dafna Talmor

Constructed Landscapes

Essay by Duncan Wooldridge

Taryn Simon

An Occupation of Loss

Essay by Duncan Wooldridge

Paddy Summerfield

Empty Days

Book review by Gerry Badger

Tom Griggs and Paul Kwiatowski

Ghost Guessed

Book review by Natasha Christia

Valeria Cherchi

Some of you killed Luisa

Essay by Emma Lewis

Tereza Zelenkova

The Snake That Disappeared Through a Hole in the Wall

Essay by Max Houghton

Anton Kusters

The Blue Skies Project

Essay by Martin Barnes

Alba Zari

The Y

Essay by Ilaria Speri

Jenny Rova

Älskling. A self-portrait through the eyes of my lovers

Book review by Greg Hobson

Arpita Shah

Nalini (ongoing)

Essay by Emilia Terracciano

Bryan Schutmaat

Good Goddamn

Book review by Gerry Badger

Luke Willis Thompson

Autoportrait

Essay by Duncan Wooldridge

Simon Roberts

Merrie Albion: Landscape Studies of a Small Island

Essay by David Chandler

Peter Fraser

Mathematics

Book review by Jeremy Millar

Alexandra Lethbridge

Other Ways of Knowing

Essay by Lisa Stein

Mathieu Pernot

Les Gorgan 1995-2015

Essay by Natasha Christia

Salvatore Vitale

How To Secure A Country

Essay by Max Houghton

Krakow Photomonth 2017

The War From Here

Exhibition review by Duncan Wooldridge

STOP + FIX Publishing

The Shackleton Collector’s Edition Box Set

Book review by Gerry Badger

Arwed Messmer

Zelle/Cell

Book review by Gerry Badger

Piotr Zbierski

Push the Sky Away

Book review by Max Houghton

Richard Mosse

Incoming

Essay by Duncan Wooldridge

Eva O’Leary

Concealer

Essay by Urs Stahel

Matthew Finn

Mother

Essay by Elizabeth Edwards

Lisa Barnard

The Canary & The Hammer

Essay by Lisa Stein

Mimi Mollica

Terra Nostra

Book review by Gerry Badger

Laia Abril

Lobismuller

Book review by Natasha Christia

TJ Proechel

ADAM

Essay by Sara Knelman

Erik Kessels

One Image

Essay by Tim Clark

Sofia Borges

The Swamp

Essay by Duncan Wooldridge

Edgar Martins

Siloquies and Soliloquies on Death, Life and Other Interludes

Essay by Daniel C. Blight

Forensic Architecture

Saydnaya: Inside a Syrian Torture Prison

Essay by Duncan Wooldridge

Adam Golfer

A House Without a Roof

Essay by Janna Dyk

Virginie Rebetez

Out of the Blue

Q&A with Greg Hobson

James Pfaff

Alex & Me

Book review by Natasha Christia

Amy Elkins

Black is the Day Black is the Night

Essay by Daniel C. Blight

Francesca Catastini

The Modern Spirit is Vivisective

Book review by Gerry Badger

Dreamtime:

Wolfgang Tillmans’ EU posters

Essay by Daniel C Blight

Federico Ciamei

Travel Without Moving

Book review by Duncan Wooldridge

Edmund Clark and Crofton Black

Negative Publicity

Book review by Gerry Badger

Sara Davidmann

Ken. To be destroyed

Book review by Greg Hobson

Dragana Jurišić

My Own Unknown (2014-)

Essay by Natasha Christia

Marton Perlaki

Bird, Bald, Book, Bubble, Brick, Potato

Interview by Tim Clark

Vittorio Mortarotti

The First Day of Good Weather

Book review by Natasha Christia

David Fathi

Wolfgang (CERN archive)

Essay by Jeffrey Ladd

Stan Douglas

The Secret Agent

Exhibition review by Daniel C Blight

Regina Anzenberger

Roots & Bonds

Book review by Gerry Badger

Rosângela Rennó

Rio-Montevideo

Essay by Duncan Wooldridge

Saul Leiter

Retrospective

Essay by Francis Hodgson

Brian Griffin

Himmelstrasse

Book review by Gerry Badger

Peter J. Cohen

Snapshots of Dangerous Women

Book review by Susan Bright

Michael Etzensperger

Normal Viewpoint, No Other Than The Direct Frontal View

Essay by Martin Jaeggi

Daido Moriyama

a room

Essay by Jean-Kenta Gauthier

Matthew Connors

Fire in Cairo

Book review by Max Houghton

Margot Wallard

Natten

Essay by Michael Grieve

Matt Lipps

Library

Essay by Chris Littlewood

Thomas Demand

New Photographs

Essay by Duncan Wooldridge

Dominic Hawgood

Under the Influence

Essay by Lucy Soutter

Nobuyoshi Araki

Marvelous Tales of Black Ink

Special book review by Ivan Vartanian

Ken Schles

Invisible City/Night Walk

Interview by Peggy Sue Amison

Laura El-Tantawy

In the Shadow of the Pyramids

Special book review by Gerry Badger

Bill Henson

1985

Special book review by Daniel C Blight

The Archive of Modern Conflict

Photo Jeunesse

Essay by Duncan Wooldridge

Daniel Shea

Blisner, IL

Special book review by Jeffrey Ladd

Lucy Levene

The Spaghetti Tree

Essay by Federica Chiocchetti

Duane Michals

Storyteller: The Photographs of Duane Michals

Essay by Aaron Schuman

Peter Watkins

The Unforgetting

Essay by Edwin Coomasaru

Virgílio Ferreira

Being and Becoming

Essay by Tim Clark

Cristina De Middel

Party:(Quotations from Chairman Mao)

Interview with Brad Feuerhelm

Anders Petersen

Anders Petersen

Special book review by Michael Grieve

EJ Major

love is…

Essay by Duncan Wooldridge

Doug Rickard

N.A

Special book review by Gerry Badger

Christian Patterson

Bottom of the Lake

Essay by Lisa Sutcliffe

Marten Bogren

Tractor Boys

Essay by Christian Caujolle

Sara-Lena Maierhofer

Dear Clark, a Portrait of a Con Man

Interview by Natasha Christia

Julian Stallabrass

Memory of Fire: Images of War and The War of Images

Special book review by James McArdle

Daniel Gordon

Still Lifes, Portraits & Parts

Essay by Brad Feuerhelm

Vanessa Winship

she dances on Jackson

Special book review by Michael Grieve

Lieko Shiga

RASEN KAIGAN/album (SPIRAL COAST/album)

Special book review by Gerry Badger

Paul Kooiker

Sunday

Essay by Brad Feuerhelm

J Carrier

Elementary Calculus

Special book review by Bridget Coaker

Daisuke Yokota

Back Yard

Essay by Peggy Sue Amison

Thomas Sauvin

Silvermine

Essay by Gordon Macdonald

Mårten Lange

Another Language

Special book review by Debra Klomp Ching

Tom Wood

Men and Women

Essay by Francis Hodgson

Alexandra Catiere

Here, Beyond the Mists

Essay by Natasha Christia

Paul Graham

The Present

Special book review by Gerry Badger

Esther Teichmann

Drinking Air, and Mythologies

Interview by Brad Feuerhelm

Regine Petersen

Stars Fell on Alabama

Essay by Lucy Davies

Adam Broomberg and Oliver Chanarin

Stirring Around in a Discordant Cabinet of Curiosities

(Inte)review by Anouk Kruithof

Eva Stenram

Drape

Exhibition review by Louise Clements